Audre's unconscious mind is driven most by

By having your unconscious mind driven most by Imagination, it appears that you have a real creative streak that allows you to entertain a broad spectrum of ideas. By being open-minded and willing to consider others' suggestions, you leave yourself open to fresh perspectives and innovative thinking. You may not realize it, but chances are your ability to envision new possibilities is stronger than it is for most people. In fact, up to now it's likely that you've underestimated your creative potential.

People with a heightened drive for imagination tend to be energetic types with a real joie de vivre. If this is true for you, you might have a reputation among your friends as being the life of the party. You may also be happy for almost any excuse to celebrate. By bringing this kind of vitality to everything you do, you cannot only enjoy your life but can improve the quality of life for everyone around you. Try to capitalize on your capacity to make even run-of-the-mill situations into fun. By sharing your creative ideas and vision, you can make the road to personal and professional success a memorable journey.

Your responses to the inkblots reveal more than just what drives your unconscious mind. They also uncover some central details about your personality, perspective, and relationships with others. Your unconscious mind colors these characteristics but is different from them. Here's what your responses indicated:

Concept of reality...

Your concept of reality is highly similar to that of others but not an exact match. Your perceptions seem to fall in between those who create their own unique realities and those who possess more mainstream perspectives.

Because you straddle that middle ground of being in agreement with others and having your own opinions of the world, you can be both a follower and a leader. You can be a follower in the sense that you probably don't have trouble going along with the group most times since others' ideas will usually seem rational to you. You can be a leader because your creative viewpoints may sometimes allow you to guide others in new directions.

The difficulty for people like you is that at times you may feel pulled between taking the popular viewpoint and accepting your own vision of what is right. Because your concept of reality is rarely off the deep end, you can generally feel confident that there's something valid in your perspectives. Even if others don't always share your views, try not to let the masses talk you out of them. There can sometimes be great value in forging your own path. Finding a healthy balance between others' ideas and your own can be key to both your relationships and success.

Mental flexibility...

This section looks as the flexibility of your opinions, values, and perspective. To determine your result, we have examined both the fluidity of your thinking and the rigidity of your opinions.

Based on your responses, you're reasonably flexible in your thinking and opinions. As a result, when dealing with most topics, you can easily consider other people's views. However, if a conversation centers on one of your core values, you're typically more reluctant to entertain other ways of thinking. This is true for most people. After all, it's good to have strong opinions on issues of importance. These views help create a foundation for what you believe in. Naturally, your ideas can change and develop over time. But particularly in your case, it's unlikely that they'll be radically different from day to day.

Occasionally your certainty can result in missed opportunities. If you're too sure of your values, you might forego the chance to observe a different way of being. You might also fail to imagine a way of life that might actually make you happier. If you find that you are excessively defensive on certain topics, it's likely because of one of the following reasons: Either the area is something you've had extensive experience with, and therefore have personal history to base your views on. Or, your defensiveness could be covering up a deep wound or insecurity that you're afraid will be exposed if you open yourself up to a new way of thinking.

Level of Fantasy...

Some people fantasize nearly nonstop, others rarely do, and the majority of people fall somewhere in between. Imagination and the ability to create alternate realities are the two factors that determine whether or not a person is capable of having a highly colorful fantasy life. However, not everyone who can fantasize does. For example, if two strangers who were both capable of fantasizing were sitting next to one another on a bus, one might still spend the whole ride thinking about paying their bills and formulating their next to-do list, while the other could be envisioning taking a siesta on a tropical island. For this Inkblot test, having a high level of fantasy involves both having the mental tools necessary to fantasize and putting them to use.

Being prone to fantasy can be thought of as a spectacular gift. Fantasy can give one the ability to create a made-up world much more captivating and pleasurable than the usual day-to-day realities. This can be a wonderful asset as you go though life - a free form of entertainment that you can use any time.

Some people look at those who are fantasy prone in a derogatory way. They feel that the more realistically a person thinks, the saner they are. Indeed, most definitions of "abnormal" refer to what is "unusual" or "not frequent". Clinical experts sometimes look at fantasy as a means of trying to escape reality, rather that face what's there.

Regardless of how one feels about fantasy, its value is heavily dependent on how it's used. If you use fantasy to visualize improvements in your life without ignoring important realities, then fantasy can be a useful talent. It can help you maintain your optimism and even to devise novel solutions to your problems. However, if fantasy is something you retreat into as a way of denying reality, then you might want to reconsider your use of it.

Your results indicate that you can be highly prone to fantasizing. This doesn't suggest that you aren't in the real world. Your ability to see things clearly may be completely unencumbered by your tendency toward fantasy. It all depends on how you use your ability. Your answers indicate that you're able to use fantasy in a way that makes your world more vibrant and imaginative than it is for most people. Just be wary of keeping one eye on how things really are, particularly when they're not as you'd like them to be.

Fantasy is a technique frequently employed by people living under harsh conditions in order to ease their stress. In this way, imagination can be a vital tool for prison inmates who live in depressing, restrictive conditions day in and day out. Using the power of fantasy can also be a profound relief for people living in poverty and in war zones. In fact, there are many people who live in adverse situations or deal with other painful circumstances that could benefit from occasional relief through fantasy.

Fantasy only becomes a problem when you ignore something you need to deal with because you have the ability to fantasize it away. For example, imagine you have a problem with an aunt of yours. Perhaps this aunt says something that upsets you almost every time you talk with her. As a result, after a while you stop listening to her in favor of pretending that you're someplace else entirely. The fantasy you create for yourself might be more exciting - and far less annoying, but it doesn't change this detrimental pattern between you and your aunt. A better response might be to put your fantasies aside for a while to address your aunt's poor communication style head-on.

At it's worst, fantasy can keep you from making important lifestyle choices. For instance, if you fantasize that you have boundless energy and are a wonderful athlete, and in the meantime sit on your couch eating potato chips and playing video games, there will eventually come a time where you won't be able to deny what is really happening to your body and you will have to tend to the reality of your deteriorating health. However, there's no reason that you have to let fantasy affect you in these negative ways. So long as you pay attention to the aspects of your life that need addressing, like your health or your career, you should be able to use fantasy and creative visualizations to bolster your happiness and success, not impede them.

Relating to others...

Your relationships are complex things. One important aspect affecting all of them is the role that you play when interacting with others. Do you typically take an active approach when dealing with the people around you, or do you tend to behave more passively? According to your test responses, you appear to have a balanced approach to interacting. You're not consistently the one who is active or passive. This mixed pattern indicates that, relative to other people, you try to either be sensitive to the needs of a particular situation or the people with whom you're dealing. By being able to adjust your approach depending on how the others are behaving, you can handle most situations with ease. Your friends may see you as a great listener or a savvy communicator because of your gift for reading people.

The overall effect of this balanced approach is that you have more options available to you when it comes to your communication style. The possible downside to this fact is that certain individuals with a balanced approach can get confused about which approach feels most natural to them — not just to the situation. While flexibility is a good thing, if you behave solely according to what's going on around you, it can wear on your sense of self.

Another difficulty you may find yourself running up against is that your balanced style may seem like inconsistency to other people. For example, if one day you take the lead in a group and the next day you choose to follow, this transition can be unsettling to those around you. Also when you're dealing with someone who is also balanced in their approach, your relationship can become an elaborate dance where each of you is trying to figure out who's taking charge. If you find yourself in a situation like this one, consider making your style more consistent — whether active or passive — in order to avoid potential confusion.

 

 

We thought that you might find it interesting to compare your answers to those that we got from other people. For this reason, we've included the inkblots from the test along with the percentages of people that responded for each option.

Your answer

Inkblot #1

1.

Which of these choices most closely captures the emotional impact of the inkblot?

 

18%

Happiness, joy, hope, positively, or excitement

 

22%

Calmness or serenity

 

4%

Fear, disgust, terror, or feeling threatened

 

50%

Curiosity, interest, or provoking thought

 

5%

Turmoil, confusion, despair, gloom, or feeling trapped

2.

What was the strongest image you saw in this inkblot?

 

24%

Airplane, space ship, or space craft

 

13%

Person

 

16%

Bug or insect

 

4%

Flower

 

6%

Diamond, jewel, or glass

 

3%

Frog

 

2%

Forest

 

5%

Motorcycle

 

2%

Bird

 

6%

Some type of animal not listed above

 

4%

More than one animal

 

5%

I saw nothing

 

11%

None of the above

3.

Did you see anything sexual in this inkblot?

 

17%

Yes

 

9%

Maybe

 

74%

No

4.

Does this inkblot seem like it's:

 

16%

Ancient or from the past

 

21%

Contemporary

 

45%

Futuristic, or occurring in the future

 

13%

I don't know

 

5%

None of the above

5.

Did you see anything involving aliens or outer-space vehicles in this inkblot?

 

28%

Yes

 

21%

Maybe

 

51%

No


Inkblot #2

6.

Of these emotions, which did this inkblot most strongly convey?

 

14%

Pride

 

22%

Anger

 

2%

Disgust

 

4%

Confusion

 

3%

Happiness

 

6%

Insanity

 

3%

Depression

 

8%

Concern

 

28%

Fear

 

10%

Nothing

7.

Which of the following choices most closely resembles what you saw in this inkblot?

 

4%

A bat

 

12%

A monster or alien

 

4%

A superhero

 

38%

An evil or dark creature

 

4%

A male or female figure

 

15%

A part-human, part-animal

 

2%

A mixture of two different non-human animal species

 

7%

A bug (bee, fly, moth, etc.)

 

6%

A wizard or witch

 

1%

An elephant

 

2%

An angel

 

3%

A gargoyle

 

2%

None of the above

8.

Did you see (if you saw more than one of these images, pick the image you saw first):

 

13%

Lungs

 

1%

A frog

 

3%

A flower

 

1%

A penis

 

3%

A volcano

 

27%

An animal

 

51%

None of the above

9.

Of these feelings, which did the inkblot most strongly convey?

 

1%

Humor

 

3%

Passion

 

3%

Calmness

 

1%

Shock

 

2%

Nervousness

 

9%

Cruelty

 

39%

Power

 

13%

Mystery

 

27%

Creepy/freaky

 

1%

Pity

 

1%

Nothing

10.

Check which of these things, if any, stood out the most in this inkblot:

 

24%

A cape, robe, or coat

 

3%

Weapons

 

50%

Wings

 

15%

Eyes

 

4%

A costume

 

2%

A sunset

 

3%

None of the above


Inkblot #3

11.

Is this inkblot more masculine or feminine?

 

17%

Masculine

 

57%

Feminine

 

26%

Neither

12.

Which of the following things did you see in this inkblot?

 

24%

A fairy, angel, or elf

 

26%

A mosquito, wasp, fly, dragonfly, bee, or hornet

 

5%

A cricket, bug, grasshopper, or ant

 

1%

A bird

 

1%

A flower

 

27%

Two flying creatures

 

7%

A combination of flying and non-flying creatures

 

3%

A pelvis bone

 

1%

A nipple

 

1%

A cloud

 

4%

None of the above

13.

Which emotion does this inkblot most strongly convey?

 

2%

Lust

 

12%

Happiness

 

4%

Anxiety

 

3%

Disgust

 

3%

Hatred

 

3%

Pain

 

4%

Despair

 

7%

Warmth

 

7%

Love

 

10%

Both happiness and sadness

 

8%

Romance

 

14%

Innocence

 

24%

None of the above

14.

Did you see any of these things in this inkblot?

 

3%

A bat

 

1%

A man

 

14%

A woman

 

2%

A child

 

1%

A ship

 

1%

A salamander

 

1%

A moose

 

1%

A lion

 

2%

A scorpion or spider

 

1%

A rat or mouse

 

6%

A skeleton or skull

 

65%

None of the above

15.

Were you sexually aroused by this inkblot?

 

1%

Very much

 

4%

Somewhat

 

9%

Barely

 

86%

Not one bit

16.

Try to find two flying insects in this inkblot. What are they doing?

 

13%

Kissing

 

2%

Having sex

 

36%

Facing each other

 

5%

Fighting violently

 

2%

Holding each other

 

10%

Dancing

 

8%

Conversing

 

4%

Eating

 

6%

Flying

 

1%

Dreaming

 

1%

Arguing

 

9%

Meeting

 

3%

Thinking about what to do next

 

1%

Nothing

 

2%

I don't see two flying insects in the inkblot

17.

We asked people to write several open-ended responses to this inkblot. Below we have listed two real responses and one that is made-up. Which of these is the made-up response?

 

38%

Two boa constrictors about to strike

 

10%

Two skeleton mice dancing

 

52%

A smiling cow


Inkblot #4

18.

Can you see the image of a chicken in this inkblot?

 

5%

Yes, many

 

20%

Yes, one

 

75%

No, none

19.

Look for a frog in this inkblot. Is the frog:

 

29%

Hit by a car or otherwise squashed

 

26%

Dissected

 

9%

Jumping or moving about

 

20%

Reaching out its arms

 

11%

Lying still

 

5%

Dead (though not squashed or dissected)


Inkblot #5

20.

Was it unpleasant to look at this inkblot?

 

8%

Definitely unpleasant

 

36%

Somewhat unpleasant

 

44%

Neutral

 

12%

Pleasant

21.

What best summarizes what you saw in this inkblot?

 

25%

An explosion

 

3%

A cloud

 

15%

A plane/helicopter/jet

 

3%

Water

 

4%

A person sitting in something

 

3%

A totem pole

 

3%

A race car

 

5%

A butterfly/dragonfly

 

4%

A bird

 

1%

A swimmer

 

3%

A face

 

5%

A bike, motorcycle, or handlebars

 

6%

An animal or animals

 

5%

A person or people

 

16%

What I saw is totally different from this

22.

If this inkblot were a temperature, would it be hot or cold?

 

47%

Hot

 

36%

Cold

 

18%

It conveys nothing about temperature

23.

Which of the following things, if any, stood out to you the most?

 

8%

Water

 

21%

Smoke

 

9%

A cloud or clouds

 

3%

A setting sun

 

2%

Rocks

 

2%

Land

 

26%

Blood

 

2%

Hair

 

7%

A storm

 

20%

None of the above

24.

What might this inkblot symbolize?

 

22%

War

 

28%

Chaos

 

4%

Evil

 

3%

Relationships

 

9%

Emotions

 

5%

A headache

 

12%

Spirituality

 

17%

A warning

25.

Which of the following things is the easiest for you to see in the inkblot?

 

4%

A police chase at night

 

12%

A spine

 

12%

A canyon

 

10%

An alien

 

11%

A sorcerer

 

4%

A circus act

 

12%

A murder

 

6%

A fight

 

30%

An accident

26.

We asked people to write several open-ended responses to this inkblot. Below we have listed five real responses and one that is made-up. Which of these is the made-up response?

 

8%

A lighthouse on a not-so-distant shore during a dark, cloudy, and stormy night

 

17%

An old person in grief over a murdered loved one

 

30%

Two people having amazing sex

 

23%

Two kids kissing in the dark

 

16%

A god with his eyes closed viewing a totem pole with peace

 

6%

A sorcerer or sorceress performing a spell


Inkblot #6

27.

Does this inkblot make you feel nostalgic?

 

3%

Definitely

 

26%

Somewhat

 

28%

Hardly at all

 

43%

Definitely not

28.

Which of the following most closely matches what you saw in this inkblot?

 

14%

Rings from a drinking glass

 

19%

Breasts

 

30%

Eyes or glasses

 

1%

A teacher

 

7%

Fish and bubbles

 

6%

Something circus-related

 

1%

Jewelry

 

3%

A face

 

5%

Animals or birds

 

1%

Hula-hoops

 

7%

Groucho Marx, Mario, or Charlie Chaplin

 

2%

A person or people

 

5%

None of the above

29.

Which of the following songs does this inkblot most remind you of?

 

26%

I Will Survive

 

44%

Hopelessly Devoted to You

 

15%

Let's Talk About Sex

 

15%

I don't know any of those songs

30.

Look for eyes in this inkblot. What are they doing?

 

9%

Staring straight at me

 

72%

Looking up

 

3%

Crying

 

12%

Searching

 

2%

Nothing

 

1%

I can't see eyes in the inkblot


Inkblot #7

31.

What was your initial emotional reaction to this inkblot?

 

14%

Fear

 

12%

Surprise

 

9%

Disgust

 

10%

Amusement or laughter

 

1%

Pain

 

1%

Grief

 

2%

Sadness

 

20%

Mixed emotions

 

2%

Sexual arousal

 

29%

Neutral

32.

Of the following, what was the thing you saw most clearly in this inkblot?

 

12%

A dragon or monster

 

22%

A mask

 

3%

A person

 

5%

A clown

 

2%

A mountain

 

14%

A bug, ant, insect, beetle, or cockroach

 

3%

A spider

 

1%

A crab

 

1%

A two-headed man

 

5%

A part or parts of a face (e.g., teeth)

 

8%

A whole face

 

7%

A frog

 

5%

A skull

 

10%

Some other animal

 

2%

None of the above

33.

What do you think is happening in this inkblot?

 

11%

Nothing

 

6%

Climbing or jumping

 

1%

Running

 

4%

Killing

 

9%

Lying, sitting, or squatting

 

2%

Lifting

 

11%

Getting ready to do something

 

3%

Feeding or eating

 

6%

Smiling

 

4%

Dancing

 

39%

Glaring

 

4%

None of these

34.

Of the following, which word or words best describe what you saw in this inkblot?

 

17%

Deformed or mutated

 

5%

Torn apart

 

20%

Evil

 

6%

Flattened

 

17%

Ugly

 

15%

Crazy

 

15%

Normal

 

7%

Beautiful

35.

Which of the following can you most easily see in this inkblot?

 

12%

A robot

 

7%

Mr. Potatohead

 

36%

A pelvic bone

 

27%

The female reproductive system

 

13%

Shadows of people

 

6%

A war


Inkblot #8

36.

What is the emotion most strongly conveyed by this inkblot?

 

2%

Pleasure or happiness

 

23%

Serenity or calmness

 

20%

Uneasiness

 

6%

Nostalgia

 

5%

Sadness

 

2%

Stupidity

 

4%

Freedom

 

7%

Harmony

 

2%

Security

 

14%

Curiosity

 

13%

None of the above

37.

What was the first thing you saw in this inkblot?

 

29%

A butterfly or moth

 

20%

Devil(s)

 

1%

Flower(s)

 

11%

Sea horse(s)

 

5%

Unicorn(s)

 

3%

Fetus(es)

 

5%

An old man or men

 

3%

Ribs or lungs

 

11%

Two animals or non-human creatures

 

5%

Two people

 

1%

One person

 

3%

An animal head or skull

 

2%

None of the above

38.

Did you see any of the following things in this inkblot?

 

2%

Blood

 

5%

Feces

 

14%

Smoke

 

4%

Water

 

31%

A veil or cloth

 

2%

Urine

 

6%

A mirror

 

39%

None of the above

39.

Were there parts of this inkblot you had to ignore in order to make sense of it?

 

2%

Yes, lots

 

11%

Several parts

 

38%

One or two small parts

 

49%

I used all the parts to form my primary impression

40.

We asked people to write several open-ended responses to this inkblot. Below we have listed one real response and two that are made-up. Which of these is the real response?

 

30%

Two devils with condoms on their heads

 

47%

A footprint of an evil beast

 

23%

Two slugs and their shadows

41.

Imagine that the inkblot is really a picture of a butterfly. Of the following options, which best summarizes the butterfly's nature?

 

31%

Kind

 

17%

Cruel

 

52%

Indifferent

42.

Which most closely describes the butterfly?

 

21%

Active

 

56%

Still

 

23%

Dead


Inkblot #9

43.

Which of these things did you notice most when you first looked at the inkblot?

 

8%

A mask

 

12%

Glasses

 

43%

Eyes

 

9%

Ball(s)

 

6%

Egg(s)

 

6%

Testicles

 

18%

None of the above

44.

Some people reported seeing parts of the human body or clothes in this inkblot. Which of these responses is easiest for you to see in this inkblot?

 

7%

A fur-lined bra

 

13%

A man's testicles

 

3%

A hipbone

 

7%

A pelvis

 

4%

A rear end

 

18%

A woman's ovaries

 

10%

A vagina

 

5%

A penis

 

15%

Breasts

 

18%

I can't see any of these things in the inkblot


Inkblot #10

45.

If you had to choose, does this inkblot make you feel more sad or calm?

 

15%

Sad

 

85%

Calm

46.

What best describes what you saw in this inkblot?

 

36%

Two women

 

3%

Two men

 

3%

Two children or a mix of women, men, and children

 

7%

A male body

 

30%

A female body

 

1%

A child's body

 

6%

A goat

 

1%

A dog

 

2%

A rabbit

 

1%

A butterfly

 

1%

An insect

 

4%

An animal face

 

1%

Some other animal's body

 

4%

None of the above

47.

Of the following things, which is easiest for you to see in this inkblot?

 

6%

Drool

 

4%

Makeup

 

8%

Scarves

 

4%

A handlebar mustache

 

4%

Blood

 

4%

A river

 

1%

A forest

 

3%

A parking meter

 

3%

A bird bath

 

8%

A grinning demon

 

55%

None of the above

48.

Imagine that there are two people pictured in this inkblot; one on the left-hand side and one on the right-hand side. What are they doing?

 

29%

Talking

 

12%

Dancing

 

1%

Sleeping

 

35%

Hugging or holding hands

 

4%

Thinking

 

1%

Fighting

 

1%

Running

 

6%

Conspiring

 

1%

Struggling

 

9%

None of the above

49.

We asked people to write open-ended responses to this inkblot. Below we have listed three real responses and one that is made-up. Which of these is the made-up response?

 

36%

Two cows holding hands

 

19%

A gazelle that just took a drink of water

 

28%

A grumpy bunny

 

17%

A soldier looking in the mirror


Inkblot #11

50.

How did this inkblot make you feel?

 

14%

Uneasy

 

21%

Positive

 

9%

Negative

 

29%

Neutral

 

18%

Nothing

 

9%

I don't know

51.

When you first looked at this inkblot, did you see any of the following things? If you saw more than one, pick the one that stood out most to you.

 

5%

A face

 

20%

Guns

 

5%

A bug or fly, etc.

 

5%

One animal

 

16%

Horses

 

10%

Dogs

 

1%

A landscape

 

10%

More than two creatures (excluding humans)

 

1%

A flower

 

2%

The head of a penis

 

2%

I didn't see anything in this inkblot

 

23%

None of the above

52.

Is there anything sexually arousing about this inkblot?

 

7%

Yes, obviously

 

22%

Possibly

 

71%

No

53.

Did you see a cowboy, or someone wearing a uniform or costume?

 

25%

Yes

 

14%

Maybe

 

61%

No

54.

Does this inkblot remind you of anyone you know?

 

5%

Yes, several people

 

10%

Yes, one person

 

5%

Yes, myself

 

80%

No

55.

Can you identify naked people or a woman's breasts in this inkblot?

 

23%

Yes, easily

 

32%

Yes, but it took a second look to see it

 

45%

No, I can't see this

56.

Some people have reported seeing one or more people in this inkblot. If you are able to see any people (try looking at the inkblot again if you didn't see any people initially), what are they doing?

 

7%

Having sex

 

12%

Being violent

 

3%

Nothing, they are dead

 

3%

Nothing, they are immobilized by fear

 

11%

Nothing, they are still

 

5%

Competing

 

20%

Outstretching their arms for a hug

 

16%

Being physically active, but not in a violent or sexual manner

 

24%

None of the above

 

History of the Inkblot...

Hermann Rorschach is the most well known clinician to have worked with inkblots in a clinical setting, but he was not the first. Psychologists have been using inkblots to make inferences about personality since the 1850s.

During Rorschach's work in the early 1900s, he noticed that certain types of patients responded to inkblots in similar ways. Through years of empirical testing, Rorschach was able to determine patterns between how people responded to the inkblots and certain personality traits. For more than a decade, Rorschach continued to develop his theories and the Rorschach Inkblot Test until his death in 1922.

In the years following Rorschach's death, there were several different scoring methods presented by different researchers. However, having all these different methodologies made scoring and interpretation of the test confusing. Then in the late 1960s and early 1970s, John Exner took on the formidable challenge of putting together the different systems of thought to come up with a standardized scoring methodology. Exner's work, along with the contributions of other researchers such as Weiner (see reference list below), has created a foundation for how the Rorschach is used today. A study published in 1995 confirmed that about 82% of mental health clinicians regularly use the Rorschach in their practices, indicating that use of inkblots is still alive and well.

To use the Rorschach test properly, it needs to be administered in a clinical setting where the clinician allows the subject to say whatever is on their mind. Given this is not possible to do in a widely administered online assessment, we took on the challenge of using the concepts and findings of Rorschach research to create our own online Inkblot test. Our Inkblot Test is designed as an online psychological instrument with strong psychometric properties of its own. One major difference between our Inkblot Test and the Rorschach Test is that we developed its test to reflect the tendencies of the normal population. The Rorschach was designed to detect psychopathology, such as schizophrenia. To make the wisdom gained through Rorschach available to the public, we translated it so that it is relevant to all people and simultaneously more accessible because of the ease in administration.

Our test provides a modern interpretation of inkblot testing based both on years of careful clinical work, as well as on the responses of thousands of test takers who gave us their impressions of a series of inkblots.

The methodology behind our Inkblot Test consisted of three steps:
Create online inkblots and gather open-ended feedback from thousands of users about what the inkblots meant to them.

Use the collected responses to develop a survey consisting of multiple-choice questions about the inkblots. The survey questions were designed based on themes that appeared in people's open-ended inkblot responses. The types of questions included those assessing patterns identified through classical theory, and by asking questions about the inkblots and correlating those questions to other information the test gathered about users' behaviors and psychological characteristics.

Analyze the survey responses to select the most reliable inkblots and questions, as well as analyze the data to determine clusters of responses that became the different types of people the test segments.

The clusters give primary results at the end of the test. In order to elaborate on what each cluster meant, researchers looked at associations with other questions in the database. In addition, they examined the dimensions measured in traditional Rorschach methods. They then concluded which of those classic dimensions could be confirmed through empirical associations. The resulting dimensions were used to create multi-faceted descriptions of what the inkblot responses indicated.

 

Further reading:

Beck, S. J. (1937). Introduction to the Rorschach Method. New York: American Orthopsychiatric Association.

Exner, J. E. (1993). The Rorschach: A comprehensive system, Volume 1: Basic foundations, 3rd Edition. New York: John Wiley & Sons.

Exner, J. E. (1991). The Rorschach: A comprehensive system, Volume 2: Current Research and advanced interpretation, Second edition. New York: John Wiley.

Exner, J. E. (Ed.) (1995). Issues and methods in Rorschach research. Mahwah, NJ: Lawrence Erlbaum Associates.

Hertz, M. R. (1934). The Reliability of the Rorschach inkblot test. Journal of Applied Psychology, 18, 461-77.

Hertz, M. R. (1936). The method of administration of the Rorschach Inkblot Test, Child Development, 7, 237-54.

Klopfer, B. (1937). The present status of the theoretical development of the Rorschach Method. Rorschach Research Exchange, 1, 142-47.

Piotrowski, Z. A. (1957). Perceptanalysis. New York: Macmillan.

Rapaport, D., Gill, M. & Schafer, R. (1946). Diagnostic psychological testing, Version 2. Chicago, IL: Year Book Publishers.

Rorschach, H. (1921). Psychodiagnostics. Bern, Switzerland: Bircher.

Rose, T., Kaser-Boyd, N., & Maloney, M. P. (2001). Essentials of Rorschach Assessment, John Wiley & Sons, Inc.

Watkins, C. E., Jr., Campbell, V. L., Nieberding, R., & Hallmark, R. (1995). Contemporary practice of psychological assessment by clinical psychologists. Professional Psychology, 26, 54-60.

Weiner, I. B. (1997). Current status of the Rorschach Inkblot Method, Journal of Personality Assessment, 68(1), 5-19.

Weiner, I. B. (1998). Principles of Rorschach interpretation. Mahwah, N.J.: Erlbaum Associates.

Weiner, I. B., & Exner, J. E. (1991). Rorschach changes in long-term and short-term psychotherapy. Journal of Personality Assessment, 56, 453-465

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